The CASH BOX Rhythm & Blues Top 30
Week ending APRIL 12, 1958
TWTITLE | Artist (Label) LW2WK3WKWKS
  1TEQUILA
    Champs (Challenge 1016)
  1  1  1  7
  2SWEET LITTLE SIXTEEN
    Chuck Berry (Chess 1683)
  2  2  2  9
  3THE WALK
    Jimmy McCracklin (Checker 885)
  3  3  5  8
  4BEEN SO LONG
    Pastels (Argo 5287)
  4  5  7  9
  5DON’T YOU JUST KNOW IT
    Huey (Piano) Smith & Clowns (Ace 545)
  6  922  4
  6TALK TO ME, TALK TO ME
    Little Willie John (King 5108)
  81730  4
  7LOLLIPOP
    Chordettes (Cadence 1345)
1016  3
  8EVERY NIGHT (I Pray)
    Chantels (End 1015)
1221  3
  9GOOD GOLLY, MISS MOLLY
    Little Richard (Specialty 624)
  5  4  4  9
10BOOK OF LOVE
    Monotones (Argo 5290)
16  2
11LONELY ISLAND
    Sam Cooke (Keen 34009)
1519  3
12BREATHLESS
    Jerry Lee Lewis (Sun 288)
  7  810  5
13LOOKING BACK
    Nat “King” Cole (Capitol 3939)
29  2
14TEACH ME (How To Love You)
    Bobby “Blue” Bland (Duke 182)
201517  6
15MAYBE BABY
    Crickets (Brunswick 55053)
191421  4
16YOU WERE MADE FOR ME
    Sam Cooke (Keen 34009)
212428  4
17GET A JOB
    Silhouettes (Ember 1029)
  9  6  313
18DON’T LET GO
    Roy Hamilton (Epic 9257)
11  7  615
19MAYBE
    Chantels (End 1005)
1410  813
20TO BE LOVED
    Jackie Wilson (Brunswick 55052)
  1
21HAVE FAITH
    Gene Allison (Vee-Jay 273)
26  2
22TWILIGHT TIME
    Platters (Mercury 71289)
  1
23THAT’S ALL I NEED TO KNOW
    Sam Cooke (Specialty 627)
28  2
24DEDICATED TO THE ONE I LOVE
    “5” Royales (King 5098)
23  2
25I MET HIM ON A SUNDAY (Ronde-Ronde)
    Shirelles (Decca 30588)
27  2
26WE BELONG TOGETHER
    Robert & Johnny (Old Town 1047)
  1
27OH JULIE
    Crescendos (Nasco 6005)
18131311
28DINNER WITH DRAC (pt. 1)
    John Zacherle (Cameo 130)
  1
29WHO’S SORRY NOW
    Connie Francis (M-G-M 12588)
  1
30DIZZY, MISS LIZZY
    Larry Williams (Specialty 626)
30  2
NOTE: On the original published chart, Cash Box listed artist and label info for the Top 20 records, along with titles only for positions 21 through 30. Artists/labels listed above in those positions are based on a record’s previous or subsequent appearance in the Top 20 or its appearance on the concurrent Billboard R&B charts.
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