The CASH BOX Rhythm & Blues Top 30
Week ending MARCH 29, 1958
TWTITLE | Artist (Label) LW2WK3WKWKS
  1TEQUILA
    Champs (Challenge 1016)
  1  1  2  5
  2SWEET LITTLE SIXTEEN
    Chuck Berry (Chess 1683)
  2  2  6  7
  3THE WALK
    Jimmy McCracklin (Checker 885)
  5  7  8  6
  4GOOD GOLLY, MISS MOLLY
    Little Richard (Specialty 624)
  4  6  7  7
  5BEEN SO LONG
    Pastels (Argo 5287)
  7  812  7
  6GET A JOB
    Silhouettes (Ember 1029)
  3  3  111
  7DON’T LET GO
    Roy Hamilton (Epic 9257)
  6  5  413
  8BREATHLESS
    Jerry Lee Lewis (Sun 288)
1026  3
  9DON’T YOU JUST KNOW IT
    Huey (Piano) Smith & Clowns (Ace 545)
22  2
10MAYBE
    Chantels (End 1005)
  8  4  311
11SHORT SHORTS
    Royal Teens (ABC-Paramount 9882)
  9  9  5  8
12DON’T
    Elvis Presley (RCA Victor 47-7150)
121214  7
13OH JULIE
    Crescendos (Nasco 6005)
131313  9
14MAYBE BABY
    Crickets (Brunswick 55053)
21  2
15TEACH ME (How To Love You)
    Bobby “Blue” Bland (Duke 182)
171924  4
16LOLLIPOP
    Chordettes (Cadence 1345)
  1
17TALK TO ME, TALK TO ME
    Little Willie John (King 5108)
30  2
18THE STROLL
    Diamonds (Mercury 71242)
1110  911
19LONELY ISLAND
    Sam Cooke (Keen 34009)
  1
20BETTY AND DUPREE
    Chuck Willis (Atlantic 1168)
151515  9
21EVERY NIGHT (I Pray)
    Chantels (End 1015)
  1
22SWINGING SHEPHERD BLUES
    Johnny Pate Quintet (Federal 12312)
16161810
23ANGEL SMILE
    Nat “King” Cole (Capitol 3860)
191110  8
24YOU WERE MADE FOR ME
    Sam Cooke (Keen 34009)
28  2
25SO TOUGH
    Original Casuals (Back Beat 503)
242528  4
26AT THE HOP
    Danny & Juniors (ABC-Paramount 9871)
14141116
27YOU CAN MAKE IT IF YOU TRY
    Gene Allison (Vee-Jay 256)
20182117
28DEDE DINAH
    Frankie Avalon (Chancellor 1011)
181722  7
297-11
    Gone All Stars (Gone 5016)
272327  5
30THAT’S ALRIGHT
    Little Junior Parker (Duke 168)
23212013
NOTE: On the original published chart, Cash Box listed artist and label info for the Top 20 records, along with titles only for positions 21 through 30. Artists/labels listed above in those positions are based on a record’s previous or subsequent appearance in the Top 20 or its appearance on the concurrent Billboard R&B charts.
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